What I object to is the ritualistic playing of Edward Elgar's beautiful Nimrod variation as though it is a solemn dirge-like hymn.
It has NOTHING to do with solemnity. It is a warm and affectionate tribute to his closest musical friend - August Jaeger, who worked for his publisher. It is Elgar's way of thanking Jaeger for his help, advice and encouragement and recalls long summer evening walks when they discussed music. But, like his Pomp and Circumstance March No 1, it was hijacked and then turned into a mournful elegy. Elgar hated the way his music was used in WW1.
It also saddened him that Britain was at war with Germany, which had given a warm reception to much of his music. Jaeger's family was German and changed its name to Hunter in 1914.